![]() ![]() The drawing and text are sometimes called the Canon of Proportions or, less often, Proportions of Man. The drawing, which is in pen and ink on paper, depicts a man in two superimposed positions with his arms and legs apart and inscribed in a circle and square. It is accompanied by notes based on the work of the architect Vitruvius. The Vitruvian Man, is a drawing by Leonardo da Vinci around 1490. Other artists who employed the Golden ratio include Michelangelo, Raphael, Rembrandt, Seurat, and Salvador Dali. The Golden ratio also appears in da Vinci's Vitruvian Man and the Mona Lisa. Da Vinci himself used the Golden Ratio to define all of the proportions in his Last Supper, including the dimensions of the table and the proportions of the walls and backgrounds. The Golden ratio was used to achieve balance and beauty in many Renaissance paintings and sculptures. Da Vinci later called this sectio aurea or the Golden section. In 1509, Luca Pacioli wrote a book that refers to the number as the "Divine Proportion," which was illustrated by Leonardo da Vinci. The drawing is based on the correlations of ideal human proportions with geometry described by the ancient Roman architect Vitruvius in Book III of his treatise De Architectura. In the 1980s, phi appeared in quasi crystals, a then-newly discovered form of matter. Phi has continued to appear in mathematics and physics, including the 1970s Penrose Tiles, which allowed surfaces to be tiled in five-fold symmetry. The term " Phi" was coined by American mathematician Mark Barr in the 1900s. Plato (427–347 BC), in his Timaeus, describes five possible regular solids (the Platonic Solids: the tetrahedron, cube, octahedron, dodecahedron, and icosahedron), some of which are related to the Golden Ratio. The Golden Ratio also is called the golden mean or golden section. The Fibonacci sequence, provides yet another way to derive Phi mathematically. This use is separately encoded as the Unicode glyph ϕ. Phi is also used as a symbol for the Golden Ratio and on other occasions in math and science. ![]() This leads to the disconnection from higher dimensional connections, creates Consciousness Traps and cuts off the being from exchange with the Eternal God Source flow. Their structure creates Metatronic Bodies, Reversed Merkaba ratios, and is based on Consumptive Modeling which has major implications for generating Fallen Consciousness. The Golden Ratio based spirals and Fibonacci spirals are used in the propagation of artificial intelligence machinery and are acquired through forming bonded attachments to the original Krystal Spiral. This is called an approximation or limit value in calculus. ![]() When we take any two successive Fibonacci Numbers, one after the other, their ratio is very close to the Golden Ratio. etc, each number is the sum of the two numbers before it). There is a special relationship between the Golden Ratio and Fibonacci Numbers (0, 1, 1, 2, 3, 5, 8, 13, 21. The Golden Ratio is found in geometry, appearing in basic constructions of an equilateral triangle, square and pentagon placed inside a circle, as well as in more complex three-dimensional solids such as dodecahedrons, icosahedrons and Buckyballs. The Golden Ratio based spirals, Fibonacci spirals, and Golden Spirals often appear in living organisms. The figure on the right illustrates the geometric relationship. In mathematics, two quantities are in the Golden Ratio if their ratio is the same as the ratio of their sum to the larger of the two quantities. ![]()
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